PALMS ON WILSHIRE and Chinese Kitchen

This is "Palms on Wilshire" oil on canvas, 24 x 36 inches. I barely finished it in time for my show, I'm actually bringing it to the gallery with me for opening night.

This is "Chinese Kitchen", it is 22 x 28 inches, oil on canvas. I've been putting the figure into alot of my new works, as will be seen in the future.

New Paintings

"Grounded" is the name of this new painting. It is 19 x 19 inches, oil on canvas. I've been very interested in painting big cloudy skies again, rain seems like a novelty in Southern California, so I've been running around with my camera looking for interesting light and cloud formations. This particular view is out at Montgomery Field here in San Diego. It has a flight school with a number of smaller aircraft. I was excited when they allowed me to have the run of the place, it was an inspired moment. I've often thought of painting an airplane on the ground. Thinking of it as a metaphor of my career, waiting to take to the air.

This is "The Mark Twain Hotel", 18 x 24 inches, oil on canvas. It's an old Hollywood haunt, located between Sunset and Hollywood Boulevard. I imagined that upon their arrival to LA, an army of optimistic would-be actors, writers, and other artists would have stayed at this place over the decades. All in hopes of making the big time, working in the industry.

And finally, this is a piece that I recently re-worked. It's called "Morning in Pasadena", 16 x 20 inches, oil on canvas. It's in a neighborhood in Pasadena that's by the Arroyo, just off of Orange Grove Avenue. I liked those high hedges protecting the back yard of the house and the harmony of morning light in a neighborhood where Greene and Greene would have worked, or Frank Lloyd Wright... Wright once told his students that they ought to plant ivy or large hedges around their early architectural designs, so that in years to come their mistakes would be unseen as the foliege grew.

6th Street Bridge

This new piece is another moderately large one, it is 30 x 30 inches, oil on canvas. I actually crawled down the steep concrete basin to the bottom and walked a couple of miles along the L.A. River (in the rain) to shoot some photos a while back. Prepared to risk life and limb for my art, I almost slid on some gravel and toppled down to my imminent demise. But fortunately I lived to tell the tale and finish this painting, unscathed.

This view is a rather iconic angle of the old art deco era bridge, I loved seeing that dark underbelly, plus the reflections in the murky water. I decided to keep the color rather simple, emphasizing the dramatic contrasts. There's alot of thick paint on there, but other areas I kept washy and thin. The canvas was begun with gray gesso, a technique that allowed me to better judge appropriate values. At the drawing stage, I had to find my vanishing point and more accurately depict what the camera lens tends to bend. I'm very pleased with the finish here, it's one of those pieces that I've long wanted to paint.

CANTERS, FAIRFAX

This is my new painting, "Canters, Fairfax". It is a relatively large painting for me, 36 x 48 inches, oil on canvas. I've spent months working on this one, it's one of my favorite pieces this year. Canter's is a really great deli located on Fairfax in Hollywood.

 

BILLIARDS AT EMBERS LOUNGE

This new painting is called "Billiards at Embers Lounge". It is 18 x 24 inches, oil on canvas. I tried to clean up the photo, when I photographed the painting there was alot of glare in the upper left corner.

This is one of the first paintings for my upcoming January show that includes a figure. Over the years I have excluded any figures within my paintings, my effort was often to express lonliness or aloneness. And a figure makes for an entirely different kind of painting. I think it works well here, this lounge interior would be incomplete without the guy shooting pool. It's like my own version of one of my favorite Van Gogh paintings, "Night Cafe with Pool Table".

I happened upon Embers Lounge when I was out on photo safari a few months back. William Wray accompanied me to Whittier, we had just shot a vintage bowling alley and wanted to get a cocktail at Embers and rest our feet. We were pleasantly surprised to find the bar filled with mediocre paintings done in the 50's or 60's by a patron who had paid off his bar tab by decorating the place with his depiction of hell... hence the name of the lounge, "Embers". It was like we time warped back into the 1960's.

Night Trains

Overwhealmed with other obligations, I've still managed to get a good amount of painting done since my last post here, but I've only just photographed my four new pieces. The first one here is "Night Trains", 18 x 24 inches, oil on canvas. It's part of my ongoing series of nocturnes and also the LA river. According to my friend William Wray, we're apparently founding members of the "LA River School of Painting".

This painting depicts a train yard, just east of downtown Los Angeles by the LA River. I was on a bridge, above the river, just as the sun had set. Not a place I'd prefer to spend an evening alone, I painted the view back in my studio rather than plein-air. It's really a study in blues, a narrow variety of color, almost a tonalist piece. I chose to paint it with a loaded brush, there's alot of pigment on there, giving it a liquid feel without much for hard edges. Painting the night is difficult, as I've said before, because it doesn't photograph well and the artist needs a good color memory and sense of color harmony. It's easy to let the painting go into black, and I try to never let it get too dark, allowing the viewer to see into this shadowy world. The earliest part of the evening is like a magical hour, it really casts a melancholy mood onto the landscape.

WESTLAKE

This new oil on canvas is called, "Westlake", and it is 12 x 16 inches. Westlake is an area just west of downtown Los Angeles, along Wilshire Boulevard. Once upon a time, this was one of the most fashionable ares to live in LA. And even though the area has lost it's upscale residents, it hasn't lost it's obvious beauty. I think that the contemporary architecture of the LA skyline is best viewed from afar, I really like how the hazy atmosphere seems to naturally mass the shapes of the buildings. Almost like Sam Hyde Harris' paintings of early California with his hazy mountains and trees in the distance.

Miracle Mile

This is "Miracle Mile", a smaller oil on canvas, 12 x 16 inches. Sorry, but the pic turned out a little bluish. The Miracle Mile is a stretch of road west of downtown Los Angeles on Wilshire Boulevard. There's alot of old art deco architecture along there, including the El Rey Theater here in my painting.

When I began the execution of this piece, I started out rather loose and painterly. But the lack of detail seemed to be problematic, it felt unfinished and bothered me. So the result here (from 2 to 3 sittings) is a painterly, but finished out piece.

Los Angeles River Trains II

Another new painting in the more "alla-prima" or painterly style. I kept the color very quiet in this one, started it with just a burnt umber lay-in with a little blue to cool it down. I like the overall effect with it's gritty and industrial feel. It's oil on canvas (16 x 20 inches) and it's called "Los Angeles River Trains II", since I have already painted the area so many times. I can really see how a painter enjoys revisiting themes again and again, I'd like to think that my treatment of the subject changes and improves with each piece.

Union Station

Sorry for the pic quality on this one, it's not so sharp. For those of you who are familiar with Los Angeles, you've probably made your way thru "Union Station" to catch a train at one time or another. This painting is 16 x 20 inches, oil on canvas, and depicts the outdoor waiting area of the old Art Deco era train station.

The paint handling is much looser than I'm accustomed to. Lately I've been experimenting with a more loaded brushstroke, thicker paint application, more palette knife use, and working quickly or more intuitively. This is the first one that I'm posting, I feel like it worked out well (although my pic doesn't show the variety of color in my darker shadow areas).

Beverly Liquor and Randy's Donuts

"Beverly Liquor"

"Beverly Liquor" is a recently finished oil on canvas, 18 x 36 inches. For this new series of Los Angeles landscapes, I've spent alot of time researching locations and looking for 1950's style architecture and signage. Anything with the Googie style (like this Liquor Deli sign) was a big plus in my urban photo-safari. This liquor store is on Beverly Blvd. and I was lucky enough to see the bus pulling away from it's stop just accross the street... I feel like it really makes the painting.

"Randy's Donuts"

"Randy's Donuts" is fresh off the easel, it's actually still wet and waiting for a final varnish. It is 18 x 24 inches, oil on canvas. As far as donuts in LA goes, this place is an institution. Relatively close to LAX, it's located on the corner of La Cienega and Manchester Boulevards. One of my teachers from Art Center (Jim Heimann) actually once photographed the Oscar Meyer Weiner-Mobile driving past this place... he called it divine intervention mixed with positive karma and dumb-luck. Anyway, I was surprised that I had never seen a painting of it before, and I had long been inspired to paint it, so it seemed natural that I would include it in the series.

Starlite Drive-In Theater

This is my newest painting, "Starlite Drive-In Theater". It is a smaller oil on canvas, 14 x 18 inches. Recently, I've started a dozen new paintings. All of them are depicting something of the Los Angeles area. That's why I've been slow to post any new artwork here on blogger for the last month, but now several of them should be coming upon completion soon. I may even pick away at this one a little more before I bring it to the gallery. Any suggestions?

This particular drive-in is actually no longer in use as a theater, but rather a swap-meet. The big screen is gone, so I had to imagine it here in my painting. The old sign was my initial inspiration, I love the old star on the googie style sign, as well as the long bluish shadow cast by it.

FOX THEATER, WESTWOOD

In an attempt to paint a successful nocturne, I chose a view that I already painted in the daytime. This is "FOX THEATER, WESTWOOD", it is 20 x 30 inches, oil on canvas.

Westwood Village is a stone's throw from the UCLA campus, there are a bunch of great old art deco movie theaters in walking distance from one another. Plus I actually just visited the Armond Hammer Museum in Westwood on Friday and saw their collection of Daumier paintings. Anyway... I'm satisfied with how this painting turned out, especially the color. Nocturnal paintings often get too dark when the painter relies too much on his photo refrence and not his color memory.

Los Angeles Winter

After a friend told me that I paint "all warm paintings", I thought I'd try to proove him wrong with this piece and the "Stockton Landscape" posted below. This one is called "Los Angeles Winter", it is 20 x 20 inches, oil on canvas. It is just east of downtown LA, over the 4th Street bridge by the train yards.

Stockton Landscape

I just finished this one last night, it's called "Stockton Landscape", 24 x 36 inches, oil on canvas. Tried to keep the color quiet in this one, the palette is mostly earth tones. The canvas I started with was an experiment, I toned it with a couple coats of light gray gesso... it really helped me maintain the mood I was going for.

I was up in Stockton in December for the Leyendecker show with Bill Wray. We ran around town shooting photos when we weren't looking at the Leyendecker paintings. Stockton is an old town in Northern California that's full of old shipping docks and railway depots along the river. I felt like this scene was right out of the 1970's with that old green car and railroad crossing signs. A cold day, likely the neighborhood of dock workers' families.