Thursday, December 28, 2006


I've recently been going through some files of paintings I did a while back. I love the holidays, but late December feels like a distraction from the studio, it's constantly beckoning me to come and work. Anyway, I never got around to posting this piece... it's called "Philippe's at Night", oil on canvas, 20 x 30 inches. I painted a daytime version before I attempted this nocturne. It's an old saw-dust on the floor kind of place, located in Los Angeles close to the train yards of old Union Station. They serve up some killer french dipped sandwiches.

Meanwhile, in the studio I'm currently painting a couple large canvases that I will post soon. It feels slow-going, but I love the scale of the large finished work. I plan on working bigger and bigger, I want that sense of awe and grandeur in my work. Last night was my first chance in several days, but I'm back at the all-night painting binge. I think that working at night is why nocturnes appeal to me so much.

Sunday, December 17, 2006

San Diego Harbor

I went on a little trip up the California coast this week. I didn't get much painting done, so I'm posting a plein-air painting that I did a few weeks ago, called "San Diego Harbor", It is 12 x 16 inches, oil on canvas.

My first stop on my trip was in San Louis Obispo where Bill Wray introduced me to a gallery owner. Once I get some new paintings finished, I look forward to perhaps doing a show up there.

Then Bill and I went on to San Francisco where we saw the de Young Museum's collection of American painting. The highlights of the collection for me were Rockwell Kent, an Edward Hopper, a major Thomas Benton tempera painting, and a couple Thiebauds. I looked at my list of potential galleries to show my work around town, but I didn't get the feel that I would fit in just right... I only liked a couple places. But I shot alot of film and hopefully will do some "Bay Area" paintings.

And finally we made our way to Stockton. The long awaited J.C. Leyendecker show was at the Haggin Museum there, we spent two days viewing the exhibit of 50 original artworks. I can't think of another artist who can paint the figure with more excitement and technical mastery. The above image is the kind of illustration work that he's typically known for, the idealized American male of the 1920's. I have a huge collection of Leyendecker stuff, dating from the late 1890's thru the late 1940's. He did covers for the Saturday Evening Post and paved the way for Norman Rockwell (who idolized Leyendecker). And since I want to paint the figure more in my work, there's few who's paintings can educate like Leyendecker's. It was great to see so many in person.